Ordos Museum
Ordos City, China 2025.1
This museum chronicles the ancient and vast grassland civilization of Ordos. The entire structure is majestic and solemn, integrating historical significance with technology. It embodies the profound and extensive nature of Ordos’s history and culture, while also symbolizing the spirit of the Ordos people to carry forward the legacy and forge ahead into the future with continuous innovation.
In 2005, when Ordos City was planning the entirely new Kangbashi New Area on what was originally Gobi wilderness, the municipal government commissioned MAD Architects to design the Ordos Museum for this new urban district. This museum serves both as a tribute to the natural landscape that was soon to be replaced by the urban landscape, and as a symbol of the profundity and resilience of the grassland civilization. The future plans for the Ordos Museum (including the Ordos Museum) are clear and well-defined, as it strides forward towards the goals of becoming a “research-oriented museum” and a “museum without walls.”

The Ordos Museum covers an area of 27,760 square meters. The building features one underground floor and four above-ground floors, with certain sections rising to eight floors. The museum currently houses 7 professional exhibition halls (totaling 15,000 square meters), with permanent exhibits including the Ordos Paleontological Fossil Exhibition, Ordos Ancient History Exhibition, Mongolian History and Culture Exhibition, and Through the Lens: Witnessing Ordos——Urban Memory Collection Exhibition. It is equipped with an academic lecture hall (seating 280 people), an underground parking lot, and over 70 offices and meeting rooms.
Our Design Philosophy: We provided a comprehensive, customized solution tailored to its core exhibition requirements:
For systematically displaying a large number of artifacts arranged chronologically or by category—such as series of bronzes and pottery—we provide wall-mounted display cases to offer a continuous and expansive view.
For treasures like the Gold Crown with Eagle Top, which are the museum’s most prized possessions or highly representative artifacts, we provide central independent display cases. This design makes them the visual focal point of the space and allows visitors to appreciate them from a 360-degree angl
For small, exquisite artifacts that require a specific background or a semi-private viewing space, we provide recessed niche display cases.
For artifacts like the Ordos bronzes, which are small in size but feature exquisite patterns, we provide overhead viewing cases that allow visitors to observe the details up close from above.
Exhibit Case Types: To meet the diverse display needs of various artifacts, we have equipped the museum with over 70 display cases across 16 different models. These include large wall-mounted cases, central independent cases, recessed wall cases, top-viewing cases, and custom-shaped cases tailored for special artifacts,etc.
Spatial Layout: To achieve the effect of “making the exhibit cases invisible and directing all focus to the artifacts themselves,” we have adopted a cutting-edge “wall-less + island-style” layout. This approach breaks down the visual barriers of traditional museums, creating a transparent and open space where the artifacts appear as “islands” floating on the river of history, allowing visitors to appreciate them unobstructed from every angle.
For ceramic or pottery funerary objects, we have adopted recessed niche display cases. This sealed cases control temperature and humidity, isolating the exhibits from dust and harmful gases to slow down their aging. The use of UV-resistant glass and directed lighting meets viewing needs while preventing light damage to the artifacts.
For clusters of miniature pottery or bronze funerary objects, we have adopted long, wall-mounted display cases. Designed in response to the dry climate and significant temperature fluctuations characteristic of Ordos, this cases are built on the core logic of “sealing plus constant temperature and humidity,” effectively balancing exhibition impact with the preservation needs of the artifacts.
Display Cases for the Project
PREGUNTAS FRECUENTES
1. ¿Cómo trabajamos con usted? (Proceso de pedido)
Enviar una consulta → Discutir requisitos → Proporcionar cotización → Pagar depósito → Diseño conceptual → Trabajo de dibujo → Producción → Inspección de calidad → Embalaje → Pagar saldo → Envío.
2. ¿Puede hacernos un presupuesto basado en nuestros dibujos?
Sí, podemos ofrecerle servicios de fabricación a medida y presupuestos según sus necesidades.
3. ¿Es usted una fábrica y dónde está ubicada?
Sí, somos una entidad de fábrica especializada en la fabricación de accesorios de exhibición de museo durante años. ¡Nuestra fábrica está en la ciudad de Guangzhou, provincia de Guangdong-usted es agradable visitarnos para la inspección!
4. ¿Podemos hacer una muestra para inspeccionar la calidad antes de hacer un pedido?
Se aceptan pedidos de muestras, pero los gastos de envío correrán a cargo del cliente.
5. ¿Cuál es el plazo de producción tras realizar un pedido?
Tras la confirmación del pedido, la producción suele completarse en 35 días laborables, aunque el plazo exacto depende de la cantidad del pedido.
6. ¿Cuáles son las condiciones de pago más seguras y el coeficiente de depósito?
Apoyamos métodos de pago seguros: T/T (transferencia telegráfica) y Alibaba International Station Trade Assurance. Se requiere un depósito de 50%, y el saldo debe ser pagado antes del envío.
7. ¿Podemos organizar una inspección de calidad antes del envío?
Por supuesto. Su personal de control de calidad o agencias externas son bienvenidos para la inspección in situ. Tenemos nuestro propio sistema de inspección de calidad antes del envasado para garantizar la calidad del producto; si no está disponible para los controles in situ, podemos proporcionar informes de inspección según sea necesario.
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